This book was good for a short read. It was not as good as the original little women. The book was about 4 sisters Joe, Meg, Beth, and Amy and what their life was like. If you are looking for a good short read this is one I would sugest.

Read the tale of four sisters Meg, Jo, Beth, & Amy as they grow up together. Learn about their hardships as they face each problem thrown at them side by side. This is a wonderfull book and is beautifully writen. I teches someone a lot about the value of family, friends, and true love. This book is more than what others amount to and would reccomend this author to anyone.

Kipling was the pre-eminent man of letters circa 1900, but pretty much unread today. Here S. T. Joshi has assembled 17 short stories by Kipling, in chronological order of composition. Contrary to the book's subtitle, these aren't horror tales, and many have no supernatural aspect at all.

It is notable that the stories grow steadily better as one goes through the book. "The Phantom Rickshaw" is a total absurdity, but by the time we get to "They" Kipling, like Barlowe and Lovecraft in "The Night Ocean," is looking ahead to the type of story that would be written by the likes of Robert Aikman in the 1960s and 1970s, probably the ultimate (to date) literary development of the horror tale, before it backslid into the EC-comics imitations of Stephen King and Dean Koonz and other currently and undeservedly popular writers.

Kipling is noted for fiction and verse set in India, but the best stories in the book, for me, had nothing to do with India. These included the before-mentioned "They," and "The Finest Story in the World," both of which appear to be based very loosely on real experiences of Kipling, and both of which seem to break genuinely new ground within their respective themes.

S. T. Joshi contributes his usual perceptive introduction.

Recommended.

S.T. Joshi edits Mark Of The Beast & Others, a collection of horror tales by Rudyard Kipling, which pairs his lively manner with chilling tales of the dead and psychological terror. Some, as 'The Phantom Ricksaw', have been widely published and will be familiar to fans of the genre; others such as 'Lost Legion' may be less so. All provide masterpieces of the occult.

Starts with the basics and works logically up to more advanced concepts. Has problem sets that really serve to teach the material well. Get it, now.

George Andrews is the reigning expert on partitions in the mathematical community who has written many seminal papers on the subject over the past half-century! If you don't know what partitions are in the theoretical sense, don't worry, the text provides ample introduction. I don't think you can find a more elementary introduction to the difficult, but extraordinarily powerful and elegant theory of partitions. The book covers the basics of number theory well, but it is the chapters on partitions that make this text stand out. It covers the Rogers-Ramanujan identities as well as the Jacobi triple product identity. It is rare in the mathematical community that an expert in a subject also writes a ground-level introductory text - but that's what you have here. Thanks to the dover edition, it's now quite affordable.

Not-Hard stories that anyone of just about any mental capacity can read and understand, I liked it for that. Great stories, stories pretty much based on the most common tales of humanity and society, but with an interesting twist. I rated it a 4 primarily for what it offers to a lot of people, the opportunity to read well written novelettes, and because its not quite a 5 (its no Les Miserables or War and Peace) but still enjoyable!

This tiny booklet of short stories offers wonderful vignettes of 19th century life in Sicily. The characters come alive and some of the stories remind me of my late grandparents' tales about villagers in the "old country". Especially nice booklet for people of Sicilian descent.

Lots of nice patterns of "modern" looking floral designs in circles and squares.

My application of Mr. Sibbett's designs begin with their being scanned. As with all his books the quality of the images in this book are very good. I appreciate the slight similiarity between some images that lend themselves well to making matching items. A variety of designs from simple to more complex are offered. At most their are two to a page making them easy to work with.

I find this book to be a good information and idea source for logo design. I love the examples and the chapter explanation at the beginning of each chapter, explaining the thoughts and reasons behind particular design.

To me, I would like a bit longer of an explanantion in the intro pages to the chapters, that is the only reason I gave it a 4 out of 5.

Over all, I would suggest this book be on any designers bookshelf.

Out of the books with logos I've seen, Print has the best ones, this book has tons of creative logos and symbols, most of them have been created using great conceps, others are simple and aparentelly just have been done to do something that looks nice but I still like it. I don't like logos not only that looks "cute" or that have a just the concep and nobody get what is it about, I mean from my point of view a good logo or symbol must have both and when you see them you have to know what is it really about, this book has great samples. I would like to see logos from arround the world but I think there isn't such as that thing, I hope to see a book with a huge collection of best logos and symbols from arround the world.

This book is a reproduction of woodblock printed patterns. No instructions, wobbly diagrammes and little information. However, it's the sort of book I love. The pictures are exquisite, and I couldn't wait to get started on some of the lace. The first half of the book is reticella, the second filet. I sit and look at the drawings for hours, amazed at the complexity of one and the efficiency of the other. Again, it isn't a very big book, but for those of you interested in original, historic lace design, I highly recommend it.

an unbelievable reprint of phenominal patterns- crucial for any historical costumer, and equally wonderful for anyoen who just digs rennaisance art.

"Heartbreak House" is typical Shaw in character, plot and commentary. His heroine is as easy to like as his villian. The main conflict between daughter and father run a symbolic parallel to the father's break with the entire family. Shaw seems to cut to the chase with his chastisement of the Salvation Army to which he deals the final death blow at the very end.

Though it is a comedy it is very dark and cold. The funny moments are "laugh out loud" funny while a cold tone continues to brood underneath. Unlike the other Shaw I have read, the humour never quiet catches and quenches the icy tone of the play. As with most Shaw, the play ends on an "up". But the rather chilly last scene underscores his social comment on society.

For a fan of Shavian comedy, this play is a thrifty buy.

This is a great Italian play. Written by Luigi Pirandello, Nobel prize in Literature in 1934.
Although the play has been written in 1918 it is a deep psychoanalytical play that could have been written today.
It is the story of three people (Mr. Ponza, Ms. Ponza, Ms. Frola) that move to a new town because their previous town has been destroyed by an earthquake.
Town people become suspicious because Ms. Ponza never leaves her home. So they start asking around. Mr. Ponza says: Ms. Ponza never leaves her room of her own volition. She is putting up a scene for the benefit of Ms. Frola, that would go mad if she was to know the truth about Ms. Ponza's identity.
Ms. Frola says that, indeed, Ms. Ponza is not leaving her room of her own volition, but that the scene she is putting up is for the benefit of Mr. Ponza. HE would go mad if he was to know the truth.

Pirandello uses this play to explore the nature of truth (Does the truth exists? Is the truth unique? Can the truth be known?), the nature of identity (what does it mean to say that a person IS Ms. Ponza and not someone else? what does define a person?) and the nature of mental illness (Who is mad? Mr. Ponza? Ms. Frola? or perhaps is it Ms. Ponza? or all three of them? or whom?) and of the suffering it brings.
These are three major themes in Pirandello's work and come back time and again in most of his work.

I read the play in Italian, but I left my copy in Italy, so when I bought this translation for a present I did not resist and re-read it. The translation is decent. I think the translation is actually good, but Pirandello is especially difficult to translate because he uses ambiguous expressions on purpose. The ambiguity sometimes gets lost in the translation when the translator is forced to choose a meaning over another. For example, the original title of the play is "Cosi' e' (se vi pare)" the translation offered here is "Right You Are (If You Think You Are). This is definitely one of the possible meanings in Italian, but there are at least another two meanings "Right you are (If you like to think you are)" and "This is it (Because you like it this way)". All three meanings matter in the play but the translator had to choose one. Unfortunately, this is a recurrent problem.

This is the third play in a trilogy, the other two being lost. The play results in an end to the curse on the Oedipus family. However, it is different from the approach later used by Sophocles. Here, there is no redemption from within. The curse ends only when the family becomes extinct. The two sons of Oedipus, Eteocles and Polyneices, who were to share power in Thebes, have quarrelled. Eteocles seizes power and Polyneices goes to get help from Adrastus, King of Argos, and six other kings. Eteocles sends champions to fight the six kings at six of the gates of Thebes. The seventh gate is left to Eteocles. However, that is the gate to which his brother comes. Eteocles feels that he has no choice but to fight and further incur the wrath of the gods by shedding kindred blood. "When the gods send destruction there is no escape." Eteocles had an "out" of his predicament but he choses not to use it. One really sees the pains of conflict and war in this play.

This excellent edition of Seven Against Thebes is part of Oxford University Press' ongoing series Greek Tragedy in New Translations, the idea behind which is that these plays should be translated into English not just by Greek scholars, but also by poets, to preserve as much of the real communicative power and drama as possible.

This edition is ideal for reluctant students assigned to read Seven Against Thebes, and may even succeed in sparking their interest in the subject. The language is true to the play and stays vivid even through a few static moments.

As with all the plays in this series, the introduction provides information not only about how the translation was accomplished, but also about how the play would have been performed, and perceived, by the ancient Greeks, what's missing from the play (namely, the first two plays of a trilogy), and notes about how the play fits into the scheme of Greek tragedy.

Other plays in the series, such as Oedipus the King, are also highly recommended.

This review applies only to the Hecht/Bacon translation published by Oxford University Press in their Greek Tragedy in New Translations series, and not to the Dover Thrift edition.

The book consists of five stories.Especially the first three are so heartrending.The Lost Phoebe;the third story,is one of the most poignant and touching stories I have ever read.Being a naturalist,Dreiser's stylie is sometimes rather intricate and you may have to struggle with ambigious sentences,but it delves into human spirit deeply.At the very beginning Sherwood Anderson gives an introduction to the stories praising Dreiser's works.I guess it is a book worth reading.

The Dover Thrift Edition of "Short Stories" by Theodore Dreiser contains five tales by this important American writer. The copyright page notes that the stories are reprinted from Dreiser's 1918 volume "Free and Other Stories." This Dover edition includes a historically relevant 1918 introduction by Sherwood Anderson.

The stories are as follows: "Free," in which an architect, facing the serious illness of his wife, reflects on his life and the choices he has made; "Nigger Jeff," a stunning tale that opens with a reporter getting a tip on a possibly imminent lynching; "The Lost Phoebe," a moving story that follows an elderly man after the death of his wife; "The Second Chance," in which a young woman is torn between two men, one exciting but impulsive, one dull but dependable; and finally "Married," about the conflict between a musician and his wife.

Dreiser's prose style is clear and strong. I was particularly intrigued by the problematic, ironic portrayal of the journalist in "Nigger Jeff." Overall, Dreiser demonstrates that he is an insightful and compassionate observer of the human condition.